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Hayashizaki Jinsuke: The Founder of Iai and the Legacy of the Battō


Hayashizaki Jinsuke: The Founder of Iai and the Legacy of the Battō

The evolution of Japanese swordsmanship owes much to a figure whose influence is still felt centuries later: Hayashizaki Jinsuke Minamoto Shigenobu (林崎甚助源重信). Revered as the founder of iai or battōjutsu, the art of drawing and cutting with the sword in one fluid motion, Hayashizaki’s legacy is inseparable from the history of traditional martial arts in Japan.

A Legacy Born in Tragedy

Hayashizaki was born around 1542 (some sources say 1544 or 1548) in Tateoka, Dewa Province, present-day Murayama City in Yamagata Prefecture. Born into the Asano family, his childhood name was Tamijimaru. His father, Asano Kazuma Minamoto Shigeharu, served as a high-ranking retainer of the Mogami clan, overseeing security at Tateoka Castle.

In 1547, tragedy struck. On his way home from a visit to the Kumano Myōjin shrine, his family’s tutelary deity, Shigeharu was ambushed and killed by a warrior named Sakaichi Unsai. The murder devastated the family, and young Tamijimaru vowed to avenge his father’s death.

Founder or Systematizer?

It’s important to recognize that while Hayashizaki is celebrated as the founder of iai, he was not the first person to ever draw and cut with a sword. Historical and battlefield conditions prior to his time virtually guaranteed that samurai would, on occasion, need to draw and strike in one motion, whether in self-defense, sudden combat, or ambush situations. These were likely situational, intuitive techniques, not part of any structured curriculum.

What distinguishes Hayashizaki is not the invention of the movement, but the formalization of a consistent method and philosophy around it. He codified a system: in this sense, he is rightly recognized as the “founder” of iai, even though the true origin of the draw cut remains obscured by history.

A New Path Through the Sword

At the age of eight, Tamijimaru began training in kenjutsu under Higashine Keibu Tayu, a martial arts instructor affiliated with Tateoka Castle. His focus was not merely on swordsmanship for the battlefield, but on developing techniques that would allow him to strike instantly upon drawing the sword, a style that would later become known as iai or battōjutsu.

His training centered around a long family heirloom tachi forged by Nobukuni, measuring approximately 3 shaku 2 sun (about 97 cm). This was not a light blade: its bare weight, without koshirae (mountings), is estimated at around 1350 grams. To put this in perspective, the average male height in Japan during the 16th century was about 160 cm. Handling such a long and heavy sword with precision, speed, and efficiency was a demanding feat, requiring not only technical skill but exceptional physical conditioning.

This choice of weapon speaks volumes about Hayashizaki’s mindset and training philosophy. His path exemplified the principle of tanren heihō (鍛錬兵法), the forging of the body and mind through the essence of correct, rigorous martial practice. In this view, the sword was not merely a weapon, but a means for internal refinement. A practitioner using such a demanding blade would naturally be forced to develop deep structure, posture, breathing, and intent, all forged over time through repetition, hardship, and clarity of purpose.

Divine Inspiration and Martial Awakening

In 1556, Shigenobu (still known as Tamijimaru) undertook a spiritual retreat known as Hyakunichi no Sanrō, a hundred-day prayer vigil at the family shrine. On the final night, he received a divine revelation in a dream: the deity Kumano Myōjin appeared and revealed to him a secret technique known as Manji Nuki (卍抜). With this vision, he achieved a spiritual and martial breakthrough.

In 1559, upon turning 18, Tamijimaru adopted a new name: Hayashizaki Jinsuke Minamoto Shigenobu, honoring both his place of birth and his transformation as a swordsman. In 1561, he located and killed Sakaichi Unsai in Kyoto, thus fulfilling the vow he had made over a decade earlier. He later returned to the shrine and offered the Nobukuni sword in gratitude.

Teaching and Influence

Following his personal quest for vengeance, Hayashizaki began traveling throughout Japan. He refined his sword-drawing method into a comprehensive system later referred to as Hayashizaki Musō-ryū, though he never officially named it during his lifetime.

His influence spread through many regions, including Aizu and Yonezawa, where he taught his techniques to local warriors. He is said to have studied with Tsukahara Bokuden, the legendary swordsman of Kashima Shintō-ryū, from whom he learned the secret technique known as Ichi no Tachi. He also incorporated teachings from Tenshin Shōden Katori Shintō-ryū and esoteric practices like Onmyō Kaigō, enriching his martial philosophy beyond mere technique.

Among his most prominent students were:

  • Takamatsu Kanbē Nobukatsu, founder of Ichi-no-Miya-ryū
  • Tamiya Heibē Shigemasa, founder of Tamiya-ryū
  • Tōshimo Motoharu, founder of Shinmei Musō Tō-ryū
  • Katayama Hisayasu, founder of Hōki-ryū

These disciples helped propagate his teachings, which survive today in classical iai lineages such as Muso Jikiden Eishin-ryū, Suio-ryū, and others.

Final Years

In his later years, Hayashizaki stayed at the residence of Takamatsu Kanbē in Kawagoe, Saitama Prefecture. In 1617, during a pilgrimage to the northeast of Japan, he fell ill and passed away. His final resting place is believed to be in Yamagata.

The shrine where he had once prayed, originally dedicated to Kumano Myōjin, was renamed Iaijinja (Iai Shrine) in his honor. An annual Hiwatashi Shinji ritual, once a blacksmithing ceremony, is still held every November to commemorate his legacy.

The Enduring Spirit of Tanren and Tradition

Today, Hayashizaki Jinsuke is remembered not just as a swordsman or innovator, but as a symbol of discipline, resilience, and internal transformation. His choice to train with a long, heavy blade reflects a martial philosophy that values the refinement of character through adversity. In tanren heiho, every cut is not just a physical motion but a lesson in presence, patience, and precision.

Every practitioner of iaido, kenjutsu, or koryū swordsmanship walks, in part, the path Hayashizaki first forged.


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